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Motion picture plays --- Motion pictures --- Scénarios de cinéma --- Cinéma --- History and criticism. --- Aesthetics --- Histoire et critique --- Esthétique --- Esthétique. --- Histoire et critique. --- Scénarios de cinéma --- Cinéma --- Esthétique --- film --- filmtheorie --- filmanalyse --- filmgeschiedenis --- twintigste eeuw --- Frankrijk --- 791.41 --- CPP --- History and criticism --- Rohmer, Éric --- Cordier, Gilbert, --- Scherer, Jean-Marie Maurice, --- Cinéma - Esthétique. --- Cinéma - Scenarios - Histoire et critique.

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L'intention de ce livre est à la fois modeste et ambitieuse. Ambitieuse, car le mot "avant-garde" est ici employé au sens large, et le livre inclut donc des oeuvres de différentes époques, depuis le début du cinéma jusqu'à nos jours, ainsi que des oeuvres expérimentales qui doteront le cinéma de son statut d'art à part entière. Modeste, car Peter Weiss sait très bien que le choix des oeuvres est forcément subjectif, et qu'il ne peut prétendre à l'exhaustivité. Dans cet ouvrage, le cinéma se révèle en tant que médium poétique, médium susceptible de faire découvrir un monde visuel et acoustique nouveau, et surtout moyen d'expression indépendant et personnel.

undergroundfilm --- Bunuel Luis --- Cocteau Jean --- Peixoto Mario --- Experimental films --- Motion pictures --- Films expérimentaux --- Cinéma --- film --- experimentele film --- Vigo Jean --- Eisenstein Sergei --- Dreyer Carl Theodor --- Verenigde Staten --- filmmuziek --- Frankrijk --- Zweden --- 791.43 --- Cinéma --- Histoire du cinéma --- Avant-garde

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#SBIB:309H160 --- Techniques Technieken --- Apprentissage Leerproces --- Communication visuelle Visuele communicatie --- Cinéma Film --- Enseignement Onderwijs --- mediakunde : video --- video --- Video: algemene werken

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History --- Film --- Motion pictures --- Cinéma --- Histoire --- 791.43 --- -Television broadcasting --- -Video recordings --- -#SBIB:309H1320 --- 798.4 --- film --- filmgeschiedenis --- geschiedenis --- Videorecordings --- Videos --- Audio-visual materials --- Telecasting --- Television --- Television industry --- Broadcasting --- Mass media --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Performing arts --- Filmkunst. Films. Cinema --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- film, geschiedenis der filmkunst --- History and criticism --- 791.43 Filmkunst. Films. Cinema --- Cinéma --- Television broadcasting --- Video recordings --- #SBIB:309H1320

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David Bordwell’s new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques—a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

791.45.072 --- #SBIB:309H522 --- #SBIB:309H523 --- Motion picture criticism --- Moving-picture criticism --- Filmrecensenten, filmcritici, filmcensuur --- Audiovisuele communicatie: kritiek --- Audiovisuele communicatie: verhaalanalyse --- 791.45.072 Filmrecensenten, filmcritici, filmcensuur --- 791.43 --- #SBIB:309H527 --- Film criticism --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Audiovisuele communicatie: retoriek --- History and criticism --- Criticism --- Audio-visual materials --- Mass media --- Performing arts --- Evaluation --- Film --- Film criticism. --- Motion pictures. --- Critique cinématographique --- Cinéma --- CDL --- 791.41